Composition VII
1913
Illustrative frame preview.
Art Institute of ChicagoOriginal work, 1912
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Wassily Kandinsky — Landscape with Two Poplars Print
Two dark poplars rise through a landscape of red roofs, blue-green ground and yellow light. Kandinsky shapes the view with strong diagonals and broad, saturated colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Two dark poplars rise through a landscape of red roofs, blue-green ground and yellow light. Kandinsky shapes the view with strong diagonals and broad, saturated colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Wassily Kandinsky
- Artwork
- Wassily Kandinsky — Landscape with Two Poplars Print
- Date of work
- 1912
- Museum collection
- Art Institute of Chicago
About Wassily Kandinsky
Russian-born, active in Germany and France · 1866–1944
Wassily Kandinsky was born in Moscow in 1866 and initially studied law and economics. He moved to Munich in 1896 to pursue art. Painting, teaching and theoretical writing developed together in his career, giving him several ways to explore what colour and form could express.
Kandinsky helped establish Der Blaue Reiter in Munich with Franz Marc in 1911. He returned to Russia during the First World War and later taught at the Bauhaus in Germany. Across these changing settings, his work developed increasingly independent arrangements of coloured forms, geometric structures and expressive marks.
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