Wassily Kandinsky — Yellow-Red-Blue Print
1925
Illustrative frame preview.
Lenbachhaus, MunichOriginal work, 1913
Colour Study: Squares with Concentric Circles places twelve neighbouring colour experiments on one sheet. Repeated rings make the changing relationships of warm and cool colour easy to compare. This edition preserves the museum’s complete CC0 image, including its paper edges.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete artwork measuring approximately 6.6 × 5 inches inside the 10 × 8 inch paper.
$29.00
Delivery to the contiguous US and Washington, DC.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Colour Study: Squares with Concentric Circles places twelve neighbouring colour experiments on one sheet. Repeated rings make the changing relationships of warm and cool colour easy to compare. This edition preserves the museum’s complete CC0 image, including its paper edges.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete artwork measuring approximately 6.6 × 5 inches inside the 10 × 8 inch paper.
Russian-born, active in Germany and France · 1866–1944
Wassily Kandinsky was born in Moscow in 1866 and initially studied law and economics. He moved to Munich in 1896 to pursue art. Painting, teaching and theoretical writing developed together in his career, giving him several ways to explore what colour and form could express.
Kandinsky helped establish Der Blaue Reiter in Munich with Franz Marc in 1911. He returned to Russia during the First World War and later taught at the Bauhaus in Germany. Across these changing settings, his work developed increasingly independent arrangements of coloured forms, geometric structures and expressive marks.
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