Wassily Kandinsky — Colour Study: Squares with Concentric Circles Print
1913
Illustrative frame preview.
Solomon R. Guggenheim Museum, New YorkOriginal work, 1923
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Wassily Kandinsky — Composition VIII Print
Composition VIII arranges circles, diagonals and angular structures across a pale ground. Small areas of colour change the balance of the larger forms. The complete supplied museum photograph retains the narrow original framing edges visible around the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Composition VIII arranges circles, diagonals and angular structures across a pale ground. Small areas of colour change the balance of the larger forms. The complete supplied museum photograph retains the narrow original framing edges visible around the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Wassily Kandinsky
- Artwork
- Wassily Kandinsky — Composition VIII Print
- Date of work
- 1923
- Museum collection
- Solomon R. Guggenheim Museum, New York
About Wassily Kandinsky
Russian-born, active in Germany and France · 1866–1944
Wassily Kandinsky was born in Moscow in 1866 and initially studied law and economics. He moved to Munich in 1896 to pursue art. Painting, teaching and theoretical writing developed together in his career, giving him several ways to explore what colour and form could express.
Kandinsky helped establish Der Blaue Reiter in Munich with Franz Marc in 1911. He returned to Russia during the First World War and later taught at the Bauhaus in Germany. Across these changing settings, his work developed increasingly independent arrangements of coloured forms, geometric structures and expressive marks.
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