Flowers in a Vase
c. 1910
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, c. 1905
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Odilon Redon — Vase of Flowers Print
Turquoise, red and white flowers rise from a vase against a warm ochre-red ground. Redon's generous upper space gives the colourful arrangement room to breathe.
- Artist
- Odilon Redon
- Date
- c. 1905
- Original medium
- oil on fabric
- Museum
- Cleveland Museum of Art
- Museum credit
- Gift of Roberta Holden Bole
View the museum record. Archive image: CC0.
£29.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Turquoise, red and white flowers rise from a vase against a warm ochre-red ground. Redon's generous upper space gives the colourful arrangement room to breathe.
- Artist
- Odilon Redon
- Date
- c. 1905
- Original medium
- oil on fabric
- Museum
- Cleveland Museum of Art
- Museum credit
- Gift of Roberta Holden Bole
View the museum record. Archive image: CC0.
- Artist
- Odilon Redon
- Artwork
- Odilon Redon — Vase of Flowers Print
- Date of work
- c. 1905
- Museum collection
- Cleveland Museum of Art
About Odilon Redon
French · 1840–1916
Odilon Redon was born in Bordeaux. Books, pictures and music nourished an imagination that would remain central to his art. He learned printmaking from Rodolphe Bresdin, then developed a powerful language in charcoal. Rather than treating art as a faithful record of the visible world, he made space for mystery, fantasy and associations that resist a single explanation.
Redon’s charcoal drawings and lithographs, which he called his noirs, explored strange creatures, floating forms and dreamlike encounters. Later his work became celebrated for radiant pastel and painted colour. Mythological subjects and flowers offered ways to join observation with invention. A bouquet could remain recognisably botanical while its colour and setting opened onto a world of feeling.
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