Gustav Klimt — Baby (Cradle) Print
1917/1918
Illustrative frame preview.
Private collectionOriginal work, 1904, reworked before 1908
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Gustav Klimt — Water Serpents II Print
Klimt entwines figures, flowing hair and patterned colour into a long, dreamlike composition. Pale bodies move through dark passages filled with jewel-like details, making the picture feel at once intimate and decorative. The complete supplied image preserves the painting’s broad format and its original image edges.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Klimt entwines figures, flowing hair and patterned colour into a long, dreamlike composition. Pale bodies move through dark passages filled with jewel-like details, making the picture feel at once intimate and decorative. The complete supplied image preserves the painting’s broad format and its original image edges.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Gustav Klimt
- Artwork
- Gustav Klimt — Water Serpents II Print
- Date of work
- 1904, reworked before 1908
- Museum collection
- Private collection
About Gustav Klimt
Austrian · 1862–1918
Gustav Klimt was born in 1862 and trained at Vienna’s School of Applied Arts. His father was an engraver, and the relationship between fine art and skilled craft formed part of his early surroundings. Klimt began with substantial decorative commissions, working alongside his brother Ernst and Franz Matsch on paintings made for architectural settings and public interiors.
In 1897 Klimt became a founder and the first president of the Vienna Secession. The group sought new possibilities for art around the turn of the century, bringing painting into conversation with architecture, sculpture and applied design. His own work became increasingly individual, with strong contours and decorative invention changing the relationship between a body and its surrounding space.
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