Wassily Kandinsky — Composition VIII Print
1923
Illustrative frame preview.
Centre Pompidou, ParisOriginal work, 1925
Kandinsky sets luminous geometric forms against a contrasting sweep of dark curves and irregular shapes. Colour, line and overlapping planes create a sense of movement without a single fixed viewpoint. This edition keeps the complete supplied composition, allowing the different visual rhythms to play across its wide format.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Kandinsky sets luminous geometric forms against a contrasting sweep of dark curves and irregular shapes. Colour, line and overlapping planes create a sense of movement without a single fixed viewpoint. This edition keeps the complete supplied composition, allowing the different visual rhythms to play across its wide format.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
Russian-born, active in Germany and France · 1866–1944
Wassily Kandinsky was born in Moscow in 1866 and initially studied law and economics. He moved to Munich in 1896 to pursue art. Painting, teaching and theoretical writing developed together in his career, giving him several ways to explore what colour and form could express.
Kandinsky helped establish Der Blaue Reiter in Munich with Franz Marc in 1911. He returned to Russia during the First World War and later taught at the Bauhaus in Germany. Across these changing settings, his work developed increasingly independent arrangements of coloured forms, geometric structures and expressive marks.
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