The Card Players
1890–92
Illustrative frame preview.
Philadelphia Museum of ArtOriginal work, c. 1900–1906
← The Collection
Paul Cézanne — The Large Bathers Print
Groups of bathers gather beneath trees that lean into a broad arch. This edition reproduces Cézanne’s Philadelphia composition, where bodies, foliage and distant sky share a measured structure of colour and shape.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Groups of bathers gather beneath trees that lean into a broad arch. This edition reproduces Cézanne’s Philadelphia composition, where bodies, foliage and distant sky share a measured structure of colour and shape.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Cézanne
- Artwork
- Paul Cézanne — The Large Bathers Print
- Date of work
- c. 1900–1906
- Museum collection
- Philadelphia Museum of Art
About Paul Cézanne
French · 1839–1906
Paul Cézanne was born in Aix-en-Provence, where his friendship with the future writer Émile Zola began at school. His family’s prosperity supported a serious education, but art drew him away from a conventional career. He spent time in Paris absorbing new painting, while repeatedly returning to the landscape and everyday objects of the south of France.
Contact with the Impressionists encouraged brighter colour and broken brushwork. Cézanne developed those discoveries into a slower investigation of form. Apples, figures and hills became arrangements of related colour, with each brushstroke contributing to the whole. His still lifes can feel unsettled and solid at once, asking us to consider the experience of looking rather than a single fixed viewpoint.
Explore Paul Cézanne prints
