Piet Mondrian — Composition with Large Blue Plane Print
1921
Illustrative frame preview.
Yale University Art Gallery, New HavenOriginal work, 1929
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Piet Mondrian — Composition with Yellow, Blue, Black and Light Blue Print
Mondrian balances coloured rectangles and broad white areas within a firm black structure. A large yellow plane and smaller blue passages give this composition its distinct distribution of weight and space.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete image measuring approximately 5.9 × 5.9 inches inside the 8 × 10 inch paper.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Mondrian balances coloured rectangles and broad white areas within a firm black structure. A large yellow plane and smaller blue passages give this composition its distinct distribution of weight and space.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete image measuring approximately 5.9 × 5.9 inches inside the 8 × 10 inch paper.
- Artist
- Piet Mondrian
- Artwork
- Piet Mondrian — Composition with Yellow, Blue, Black and Light Blue Print
- Date of work
- 1929
- Museum collection
- Yale University Art Gallery, New Haven
About Piet Mondrian
Dutch · 1872–1944
Piet Mondrian began by painting landscapes in the Netherlands. His route to abstraction was gradual, passing through increasingly distilled forms rather than arriving at a ready-made formula. Influences from Symbolism and Post-Impressionism encouraged him to seek a deeper structure within what he saw. Trees, buildings and landscape became starting points for an investigation of rhythm and balance.
A move to Paris in 1911 brought Mondrian into close contact with Cubism. He pushed its experiments toward a painting no longer dependent on representing visible things. In his mature work, horizontal and vertical lines, primary colours and areas of white became a complete vocabulary. Their relationships mattered more than the identity of any subject outside the picture.
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