Albert Bierstadt — Mount Starr King, Yosemite Print
1866
The Metropolitan Museum of ArtOriginal work, 1887
A close, direct self-portrait, with the straw hat and blue background framing Van Gogh’s face. The visible brushwork rewards a closer look.
A 12-colour giclée fine art print on 200 gsm smooth matte paper, preserving the full composition within a printed white border. Choose an unframed print or a white, natural or dark wood frame, or a black aluminium frame. Framed options are supplied ready to hang with plexiglass glazing; unframed prints are supplied without a frame.
Delivery to the contiguous US and Washington, DC.
$79.00
12-colour giclée on 200 gsm smooth matte paper. The full composition is reproduced within a printed white border. White, natural and dark wood frames, or a black aluminium frame. Plexiglass glazing, supplied ready to hang.
Van Gogh painted this self-portrait in Paris in 1887, during a period of experimentation with brighter colours and new ways of applying paint. Working from a mirror allowed him to practise painting faces without paying a model.
Short, distinct strokes build up the face, hat and background. The canvas also holds an earlier painting on its reverse, a reminder of the practical constraints behind his work.
Explore the original at the museumDutch · 1853–1890
Vincent van Gogh made colour and brushwork a way of expressing how the world felt. Largely self-taught, the Dutch painter developed his art through close observation, drawing and a restless willingness to experiment.
In Paris, the work of the Impressionists encouraged a brighter palette and more distinct strokes. In the south of France, those discoveries became the animated landscapes and expressive portraits that define his work. Our first collection brings together a Paris self-portrait and a summer landscape from Saint-Rémy.
Explore Vincent van Gogh prints Read more at the museum