Odilon Redon — Vase of Flowers Print
c. 1905
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, c. 1910
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Odilon Redon — Flowers in a Vase Print
Red, white and blue flowers rise from a small earthen vase against a warm pale ground. Redon leaves space around the bouquet so its delicate colours stand out.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Red, white and blue flowers rise from a small earthen vase against a warm pale ground. Redon leaves space around the bouquet so its delicate colours stand out.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Odilon Redon
- Artwork
- Odilon Redon — Flowers in a Vase Print
- Date of work
- c. 1910
- Museum collection
- National Gallery of Art, Washington
About Odilon Redon
French · 1840–1916
Odilon Redon was born in Bordeaux. Books, pictures and music nourished an imagination that would remain central to his art. He learned printmaking from Rodolphe Bresdin, then developed a powerful language in charcoal. Rather than treating art as a faithful record of the visible world, he made space for mystery, fantasy and associations that resist a single explanation.
Redon’s charcoal drawings and lithographs, which he called his noirs, explored strange creatures, floating forms and dreamlike encounters. Later his work became celebrated for radiant pastel and painted colour. Mythological subjects and flowers offered ways to join observation with invention. A bouquet could remain recognisably botanical while its colour and setting opened onto a world of feeling.
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