Woman with a Red Zinnia (Revery)
1891-1892
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1901
A mother and children fill Cassatt's pastel scene after a bath. Detailed faces contrast with loose clothing and background strokes, giving the family group an immediate, informal presence.
View the museum record. Archive image: CC0.
£59.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideA mother and children fill Cassatt's pastel scene after a bath. Detailed faces contrast with loose clothing and background strokes, giving the family group an immediate, informal presence.
View the museum record. Archive image: CC0.
American · 1844–1926
Mary Cassatt was born and educated in Pennsylvania and spent most of her artistic career in Paris. She began exhibiting at the Salon in 1868, then joined the independent Impressionist group. She was its only American participant. Her work drew on European painting and Japanese prints while retaining a distinctive interest in the lives, relationships and attention of women.
Cassatt’s paintings are celebrated for intimate scenes of everyday experience, but printmaking was equally important to her invention. Working alongside Degas encouraged experiments in etching and other techniques. She embraced the medium’s demanding practical work, developing innovative colour prints. The clarity of Japanese print design helped inform her use of pattern, contour and unexpected compositional spaces.
Explore Mary Cassatt prints