Mary Cassatt — Young Girl at a Window Print
c. 1883-1884
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, c. 1889
A seated woman holds a cup in Cassatt’s restrained drawing. Fine lines describe her chair and dress, while the warm tone and original edges of the paper remain visible.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border, preserving the original tones and surface details.
$89.00
Delivery to the contiguous US and Washington, DC.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
A seated woman holds a cup in Cassatt’s restrained drawing. Fine lines describe her chair and dress, while the warm tone and original edges of the paper remain visible.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border, preserving the original tones and surface details.
American · 1844–1926
Mary Cassatt was born and educated in Pennsylvania and spent most of her artistic career in Paris. She began exhibiting at the Salon in 1868, then joined the independent Impressionist group. She was its only American participant. Her work drew on European painting and Japanese prints while retaining a distinctive interest in the lives, relationships and attention of women.
Cassatt’s paintings are celebrated for intimate scenes of everyday experience, but printmaking was equally important to her invention. Working alongside Degas encouraged experiments in etching and other techniques. She embraced the medium’s demanding practical work, developing innovative colour prints. The clarity of Japanese print design helped inform her use of pattern, contour and unexpected compositional spaces.
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