Johannes Vermeer — Allegory of the Catholic Faith Print
ca. 1670–72
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, c. 1669
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Johannes Vermeer — Girl with the Red Hat Print
A young woman turns toward us beneath a vivid red hat. Vermeer's small portrait sets her face and bright headwear against a dark background.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A young woman turns toward us beneath a vivid red hat. Vermeer's small portrait sets her face and bright headwear against a dark background.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Johannes Vermeer
- Artwork
- Johannes Vermeer — Girl with the Red Hat Print
- Date of work
- c. 1669
- Museum collection
- National Gallery of Art, Washington
About Johannes Vermeer
Dutch · 1632–1675
Johannes Vermeer was born in Delft and lived there throughout his life. His father was an innkeeper and art dealer, placing pictures within the family’s daily world. Vermeer married Catharina Bolnes in 1653 and became a member of the city’s painters’ guild. The details of his artistic training remain uncertain, but his surviving paintings reveal an exceptionally deliberate intelligence.
Vermeer’s early subjects included historical and religious scenes. He became particularly associated with intimate views of daily life: reading, music, letters and moments of thought. Carefully organised rooms and a restrained colour palette give these scenes their balance. Light does more than describe objects; it creates relationships between people, surfaces and the space they share.
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