Vincent van Gogh — The Starry Night Print
1889
Illustrative frame preview.
National Museum, OsloOriginal work, 1893
← The collection
Edvard Munch — The Scream Print
The Scream sets a small central figure against a landscape of sweeping bands. The bridge cuts straight into the distance as sky, land and water curve around it. This edition uses the National Museum’s 1893 painted version.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
The Scream sets a small central figure against a landscape of sweeping bands. The bridge cuts straight into the distance as sky, land and water curve around it. This edition uses the National Museum’s 1893 painted version.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Edvard Munch
- Artwork
- Edvard Munch — The Scream Print
- Date of work
- 1893
- Museum collection
- National Museum, Oslo
About Edvard Munch
Norwegian · 1863–1944
Edvard Munch was born in Norway in 1863. Childhood illness interrupted his schooling, while drawing became a lasting interest. He decided to become a painter as a teenager and began exhibiting in the 1880s. A scholarship enabled a first visit to Paris in 1885, opening his experience beyond Norway.
Munch worked across painting, printmaking, drawing and other media for more than sixty years. His art belonged to Symbolism in the 1890s and helped establish Expressionism in the following century. An exhibition in Berlin in 1892 brought his work into a wider European conversation. Repeated subjects became opportunities for experiment.
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