Edvard Munch — The Scream Print
1893
Illustrative frame preview.
Private collection, source impression at Christie’sOriginal work, 1895/1902
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Edvard Munch — Madonna — Lithograph Print
A pale figure with closed eyes is enclosed by dark, flowing contours, with blue and red touches around the hair. This edition reproduces Munch’s colour lithograph in a state without the symbolic border.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete lithograph measuring approximately 5.5 × 8.6 inches inside the 8 × 10 inch paper.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A pale figure with closed eyes is enclosed by dark, flowing contours, with blue and red touches around the hair. This edition reproduces Munch’s colour lithograph in a state without the symbolic border.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete lithograph measuring approximately 5.5 × 8.6 inches inside the 8 × 10 inch paper.
- Artist
- Edvard Munch
- Artwork
- Edvard Munch — Madonna — Lithograph Print
- Date of work
- 1895/1902
- Museum collection
- Private collection, source impression at Christie’s
About Edvard Munch
Norwegian · 1863–1944
Edvard Munch was born in Norway in 1863. Childhood illness interrupted his schooling, while drawing became a lasting interest. He decided to become a painter as a teenager and began exhibiting in the 1880s. A scholarship enabled a first visit to Paris in 1885, opening his experience beyond Norway.
Munch worked across painting, printmaking, drawing and other media for more than sixty years. His art belonged to Symbolism in the 1890s and helped establish Expressionism in the following century. An exhibition in Berlin in 1892 brought his work into a wider European conversation. Repeated subjects became opportunities for experiment.
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