A Pastoral Landscape with Shepherds
1496/1497
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, 1526
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Albrecht Dürer — Tuft of Cowslips Print
Dürer places a flowering cowslip against a pale ground, describing its broad leaves, slender stems and roots with close attention. The complete sheet retains its warm paper tone and small date inscription.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Dürer places a flowering cowslip against a pale ground, describing its broad leaves, slender stems and roots with close attention. The complete sheet retains its warm paper tone and small date inscription.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Albrecht Dürer
- Artwork
- Albrecht Dürer — Tuft of Cowslips Print
- Date of work
- 1526
- Museum collection
- National Gallery of Art, Washington
About Albrecht Dürer
German · 1471–1528
Albrecht Dürer was born in Nuremberg in 1471. He first trained in his father’s goldsmith workshop before becoming an apprentice to the painter and printmaker Michael Wolgemut. The young artist learned to bring design, observation and skilled making into close relationship. His years as a travelling journeyman from 1490 to 1494 extended that education beyond his home city.
Dürer travelled to Italy and absorbed artistic ideas beyond northern Europe, while developing a substantial practice in painting, drawing and printmaking. His Apocalypse woodcuts, published in 1498, brought an ambitious series of images before a broad audience. The printed sheet allowed a forceful composition to travel, joining the intimate scale of a picture on paper with the drama of a larger story.
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