Portrait of a Clergyman (Johann Dorsch?)
1516
Illustrative frame preview.
Museo Nacional del Prado, MadridOriginal work, 1507
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Albrecht Dürer — Adam and Eve Print
Adam and Eve stand against dark backgrounds, their pale figures framed by foliage and a slender tree. Dürer gives the paired paintings clear outlines and finely observed detail; both panels are retained together in this complete supplied reproduction.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Adam and Eve stand against dark backgrounds, their pale figures framed by foliage and a slender tree. Dürer gives the paired paintings clear outlines and finely observed detail; both panels are retained together in this complete supplied reproduction.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Albrecht Dürer
- Artwork
- Albrecht Dürer — Adam and Eve Print
- Date of work
- 1507
- Museum collection
- Museo Nacional del Prado, Madrid
About Albrecht Dürer
German · 1471–1528
Albrecht Dürer was born in Nuremberg in 1471. He first trained in his father’s goldsmith workshop before becoming an apprentice to the painter and printmaker Michael Wolgemut. The young artist learned to bring design, observation and skilled making into close relationship. His years as a travelling journeyman from 1490 to 1494 extended that education beyond his home city.
Dürer travelled to Italy and absorbed artistic ideas beyond northern Europe, while developing a substantial practice in painting, drawing and printmaking. His Apocalypse woodcuts, published in 1498, brought an ambitious series of images before a broad audience. The printed sheet allowed a forceful composition to travel, joining the intimate scale of a picture on paper with the drama of a larger story.
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