Autumn
1877
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1900–1903
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Winslow Homer — Early Morning After a Storm at Sea Print
A cresting wave and foam meet dark foreground rocks in Homer's seascape. The wide composition gives space to the water's movement and contrasting grey-green passages.
- Artist
- Winslow Homer
- Date
- 1900–1903
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Gift of J. H. Wade
View the museum record. Archive image: CC0.
£29.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
A cresting wave and foam meet dark foreground rocks in Homer's seascape. The wide composition gives space to the water's movement and contrasting grey-green passages.
- Artist
- Winslow Homer
- Date
- 1900–1903
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Gift of J. H. Wade
View the museum record. Archive image: CC0.
- Artist
- Winslow Homer
- Artwork
- Winslow Homer — Early Morning After a Storm at Sea Print
- Date of work
- 1900–1903
- Museum collection
- Cleveland Museum of Art
About Winslow Homer
American · 1836–1910
Winslow Homer developed a career across illustration, drawing, printmaking, watercolour and oil painting. His early illustrations of the American Civil War gave way to pictures of country life and the shore. Across these changing subjects he maintained a direct, searching interest in people and their circumstances, letting a scene’s physical details carry much of its meaning.
Nature became an increasingly powerful presence in Homer’s mature work. The shore offered both everyday human activity and a setting where weather could reveal forces beyond human control. His paintings can balance careful description with broad, decisive shapes. Watercolour gave him another means of investigating light and movement, extending the range of a practice that lasted five decades.
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