Early Morning After a Storm at Sea
1900–1903
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1859
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Winslow Homer — A Merry Christmas and a Happy New Year Print
Homer combines festive scenes within a decorative illustrated greeting. The complete reproduction retains the historic sheet’s irregular edges and dark scan surround.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Homer combines festive scenes within a decorative illustrated greeting. The complete reproduction retains the historic sheet’s irregular edges and dark scan surround.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Winslow Homer
- Artwork
- Winslow Homer — A Merry Christmas and a Happy New Year Print
- Date of work
- 1859
- Museum collection
- Cleveland Museum of Art
About Winslow Homer
American · 1836–1910
Winslow Homer developed a career across illustration, drawing, printmaking, watercolour and oil painting. His early illustrations of the American Civil War gave way to pictures of country life and the shore. Across these changing subjects he maintained a direct, searching interest in people and their circumstances, letting a scene’s physical details carry much of its meaning.
Nature became an increasingly powerful presence in Homer’s mature work. The shore offered both everyday human activity and a setting where weather could reveal forces beyond human control. His paintings can balance careful description with broad, decisive shapes. Watercolour gave him another means of investigating light and movement, extending the range of a practice that lasted five decades.
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