William Morris — Strawberry Thief Print
design 1883; surviving textile c. 1936
Illustrative frame preview.
Birmingham Museums TrustOriginal work, 1879
Birds, roses and branching leaves interlock across Morris’s tall watercolour design. The complete unframed reproduction retains unfinished passages and pencil marks, showing the pattern as a working drawing on paper.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete sheet measuring approximately 2.7 × 5.9 inches inside the 8 × 10 inch paper.
$29.00
Delivery to the contiguous US and Washington, DC.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Birds, roses and branching leaves interlock across Morris’s tall watercolour design. The complete unframed reproduction retains unfinished passages and pencil marks, showing the pattern as a working drawing on paper.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
This Small edition has wider white margins, with the complete sheet measuring approximately 2.7 × 5.9 inches inside the 8 × 10 inch paper.
British · 1834–1896
William Morris was born in Walthamstow in 1834. His interests brought together design, literature, historic buildings and the conditions of making. He became a central figure in the Arts and Crafts movement, arguing for the value of skilled work and thoughtfully designed everyday surroundings.
Morris drew on historical textiles and other decorative arts, bringing their lessons into new designs for wallpapers, fabrics and furnishings. His approach joined careful observation of plants with knowledge of established pattern traditions. Workshops and demanding processes of printing and dyeing were essential to the resulting work.
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