Alphonse Mucha — The Seasons: Autumn Print
1896
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, design 1883; surviving textile c. 1936
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William Morris — Strawberry Thief Print
Strawberry Thief brings paired birds, flowers and curling stems into a continuous repeat. Bright details remain clear against the dark ground. This edition preserves the complete supplied image of the Cleveland textile, made from Morris’s 1883 design.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Strawberry Thief brings paired birds, flowers and curling stems into a continuous repeat. Bright details remain clear against the dark ground. This edition preserves the complete supplied image of the Cleveland textile, made from Morris’s 1883 design.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- William Morris
- Artwork
- William Morris — Strawberry Thief Print
- Date of work
- design 1883; surviving textile c. 1936
- Museum collection
- Cleveland Museum of Art
About William Morris
British · 1834–1896
William Morris was born in Walthamstow in 1834. His interests brought together design, literature, historic buildings and the conditions of making. He became a central figure in the Arts and Crafts movement, arguing for the value of skilled work and thoughtfully designed everyday surroundings.
Morris drew on historical textiles and other decorative arts, bringing their lessons into new designs for wallpapers, fabrics and furnishings. His approach joined careful observation of plants with knowledge of established pattern traditions. Workshops and demanding processes of printing and dyeing were essential to the resulting work.
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