The Last Supper
1799
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, c. 1805
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William Blake — The Great Red Dragon and the Beast from the Sea Print
Blake’s winged dragon towers above the many-headed beast in a dark, turbulent scene. The tightly arranged figures, curling forms and pale highlights give the complete composition its dramatic force.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Blake’s winged dragon towers above the many-headed beast in a dark, turbulent scene. The tightly arranged figures, curling forms and pale highlights give the complete composition its dramatic force.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- William Blake
- Artwork
- William Blake — The Great Red Dragon and the Beast from the Sea Print
- Date of work
- c. 1805
- Museum collection
- National Gallery of Art, Washington
About William Blake
British · 1757–1827
William Blake was born in London in 1757 and trained as an engraver with James Basire from 1772 to 1779. He then entered the Royal Academy Schools, developing an artistic life that joined image-making with poetry. The practical skills of engraving remained important, giving his imaginative work a foundation in the patient labour of designing and making a printed page.
Blake experimented with relief etching and used it for the illuminated books associated with his poetry. Biblical and literary subjects also supplied figures and stories for his paintings and designs. His art gives thought an unusually physical presence, using the turn of a body or the direction of an arm to make an imagined encounter feel immediate and emotionally clear.
Explore William Blake prints
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The whole collection
Madonna and Child
c. 1496/1499
The Junction of the Thames and the Medway
1807
The Eye, Like a Strange Balloon
1882