Sandro Botticelli — Primavera Print
c. 1480
Illustrative frame preview.
Uffizi Galleries, FlorenceOriginal work, c. 1484–86
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Sandro Botticelli — The Birth of Venus Print
The Birth of Venus places its central figure between moving air, flowing cloth and a waiting shore. The shell, hair and long contours carry the eye across the composition, giving a celebrated mythological subject a remarkably clear pictorial rhythm.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
The Birth of Venus places its central figure between moving air, flowing cloth and a waiting shore. The shell, hair and long contours carry the eye across the composition, giving a celebrated mythological subject a remarkably clear pictorial rhythm.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Sandro Botticelli
- Artwork
- Sandro Botticelli — The Birth of Venus Print
- Date of work
- c. 1484–86
- Museum collection
- Uffizi Galleries, Florence
About Sandro Botticelli
Italian · c. 1445–1510
Sandro Botticelli was born Alessandro di Mariano Filipepi in Florence around 1445. He trained with Fra Filippo Lippi and had established his own workshop by 1470. Religious paintings and ambitious secular subjects brought him recognition, supported by patrons within the Medici circle. Florence remained the centre of almost his entire career.
Botticelli was called to Rome in 1481 to help decorate the Sistine Chapel. After returning to Florence, he continued the highly productive period that gave rise to his celebrated mythologies. Primavera and The Birth of Venus combine classical subjects with a strong decorative sense of line and arrangement.
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