Michelangelo — The Creation of Adam Print
c. 1511
Illustrative frame preview.
Sistine Chapel, VaticanOriginal work, 1536–41
← The collection
Michelangelo — The Last Judgment Print
Michelangelo’s vast fresco arranges rising and falling figures around its commanding central group. This edition preserves the complete supplied view, allowing the many gestures and surrounding passages to remain visible together.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Michelangelo’s vast fresco arranges rising and falling figures around its commanding central group. This edition preserves the complete supplied view, allowing the many gestures and surrounding passages to remain visible together.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Michelangelo
- Artwork
- Michelangelo — The Last Judgment Print
- Date of work
- 1536–41
- Museum collection
- Sistine Chapel, Vatican
About Michelangelo
Italian · 1475–1564
Michelangelo Buonarroti was born in Caprese in 1475. He received early training as a painter in Domenico Ghirlandaio’s Florentine workshop and became celebrated as a sculptor, painter, architect and draughtsman. Drawing and design remained closely connected throughout his work, allowing a figure or a larger arrangement to be explored on paper.
Michelangelo’s work for the Sistine Chapel brought his understanding of the figure into a vast painted programme. Preparatory drawings reveal the close study behind those monumental images. In The Creation of Adam, two principal groups are separated by an open interval, making their reaching hands an exceptionally clear meeting point.
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