Paul Cézanne — The Basket of Apples Print
1893
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, 1900/1903
← The collection
Paul Cézanne — Vase of Flowers Print
A white vase of flowers stands against dark wood and patterned fabric. Cézanne builds the still life from dense greens, blues and warm touches of yellow.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A white vase of flowers stands against dark wood and patterned fabric. Cézanne builds the still life from dense greens, blues and warm touches of yellow.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Cézanne
- Artwork
- Paul Cézanne — Vase of Flowers Print
- Date of work
- 1900/1903
- Museum collection
- National Gallery of Art, Washington
About Paul Cézanne
French · 1839–1906
Paul Cézanne was born in Aix-en-Provence, where his friendship with the future writer Émile Zola began at school. His family’s prosperity supported a serious education, but art drew him away from a conventional career. He spent time in Paris absorbing new painting, while repeatedly returning to the landscape and everyday objects of the south of France.
Contact with the Impressionists encouraged brighter colour and broken brushwork. Cézanne developed those discoveries into a slower investigation of form. Apples, figures and hills became arrangements of related colour, with each brushstroke contributing to the whole. His still lifes can feel unsettled and solid at once, asking us to consider the experience of looking rather than a single fixed viewpoint.
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