Paul Cézanne — Flowers in a Rococo Vase Print
c. 1876
Illustrative frame preview.
Art Institute of ChicagoOriginal work, 1893
← The collection
Paul Cézanne — The Basket of Apples Print
Cézanne makes a tabletop still life feel lively and unsettled through tilted objects, folded cloth and overlapping views. Apples spill from a basket beside a bottle and stacked pastries, their rounded forms held together by colour. This edition keeps the complete painting and the full arrangement of objects.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Cézanne makes a tabletop still life feel lively and unsettled through tilted objects, folded cloth and overlapping views. Apples spill from a basket beside a bottle and stacked pastries, their rounded forms held together by colour. This edition keeps the complete painting and the full arrangement of objects.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Cézanne
- Artwork
- Paul Cézanne — The Basket of Apples Print
- Date of work
- 1893
- Museum collection
- Art Institute of Chicago
About Paul Cézanne
French · 1839–1906
Paul Cézanne was born in Aix-en-Provence, where his friendship with the future writer Émile Zola began at school. His family’s prosperity supported a serious education, but art drew him away from a conventional career. He spent time in Paris absorbing new painting, while repeatedly returning to the landscape and everyday objects of the south of France.
Contact with the Impressionists encouraged brighter colour and broken brushwork. Cézanne developed those discoveries into a slower investigation of form. Apples, figures and hills became arrangements of related colour, with each brushstroke contributing to the whole. His still lifes can feel unsettled and solid at once, asking us to consider the experience of looking rather than a single fixed viewpoint.
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