Leonardo da Vinci — Ginevra de’ Benci Print
c. 1474-1478
Illustrative frame preview.
National Museum in Kraków, Czartoryski MuseumOriginal work, 1490
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Leonardo da Vinci — Lady with an Ermine Print
Cecilia Gallerani turns towards the light while holding a white ermine against her dark clothing. Leonardo links the movement of her head, hands and the animal into one measured portrait.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Cecilia Gallerani turns towards the light while holding a white ermine against her dark clothing. Leonardo links the movement of her head, hands and the animal into one measured portrait.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Leonardo da Vinci
- Artwork
- Leonardo da Vinci — Lady with an Ermine Print
- Date of work
- 1490
- Museum collection
- National Museum in Kraków, Czartoryski Museum
About Leonardo da Vinci
Italian · 1452–1519
Leonardo da Vinci trained in Florence in Andrea del Verrocchio’s workshop. Painting and sculpture formed part of a much wider curiosity about nature. Drawings recorded ideas, observations and experiments, from anatomy and animals to water and machinery. His notebooks show an artist repeatedly using the act of drawing to ask a question.
Leonardo worked principally in Florence and Milan, with later periods in Rome and France. Relatively few finished paintings survive, alongside a substantial body of drawings. The Last Supper, made for Santa Maria delle Grazie in Milan, brings a dramatic human event into a rigorously arranged architectural setting.
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Sandro Botticelli — Madonna of the Magnificat Print
c. 1481
Raphael — The Sistine Madonna Print
between 1512 and 1513
Michelangelo — The Creation of Adam Print
c. 1511