Leonardo da Vinci — The Last Supper Print
1495–98
Illustrative frame preview.
Musée du Louvre, ParisOriginal work, c. 1503–1519
The Mona Lisa brings a measured portrait and a distant, winding landscape into one quiet arrangement. Soft transitions of light and shade connect the face, hands and clothing. The complete supplied image retains the painting’s aged surface and natural colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
The Mona Lisa brings a measured portrait and a distant, winding landscape into one quiet arrangement. Soft transitions of light and shade connect the face, hands and clothing. The complete supplied image retains the painting’s aged surface and natural colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
Italian · 1452–1519
Leonardo da Vinci trained in Florence in Andrea del Verrocchio’s workshop. Painting and sculpture formed part of a much wider curiosity about nature. Drawings recorded ideas, observations and experiments, from anatomy and animals to water and machinery. His notebooks show an artist repeatedly using the act of drawing to ask a question.
Leonardo worked principally in Florence and Milan, with later periods in Rome and France. Relatively few finished paintings survive, alongside a substantial body of drawings. The Last Supper, made for Santa Maria delle Grazie in Milan, brings a dramatic human event into a rigorously arranged architectural setting.
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