Rotterdam Ferry-Boat
1833
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1835
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Joseph Mallord William Turner — The Burning of the Houses of Lords and Commons, 16 October 1834 Print
Fire and smoke rise above the river, reflected in warm light across the water. Turner brings crowds, boats and distant architecture into a broad, atmospheric view.
- Artist
- Joseph Mallord William Turner
- Date
- 1835
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Bequest of John L. Severance
View the museum record. Archive image: CC0.
£39.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Fire and smoke rise above the river, reflected in warm light across the water. Turner brings crowds, boats and distant architecture into a broad, atmospheric view.
- Artist
- Joseph Mallord William Turner
- Date
- 1835
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Bequest of John L. Severance
View the museum record. Archive image: CC0.
- Artwork
- Joseph Mallord William Turner — The Burning of the Houses of Lords and Commons, 16 October 1834 Print
- Date of work
- 1835
- Museum collection
- Cleveland Museum of Art
About Joseph Mallord William Turner
British · 1775–1851
Joseph Mallord William Turner was born near Covent Garden in London. He entered the Royal Academy Schools in 1789 and began exhibiting watercolours the following year. His early work grew from topographical drawing, while Dutch seascapes and the classical landscapes of Claude helped expand his ambitions. Watercolour, oil painting and engraving all became part of his artistic language.
Turner increasingly made brilliant colour a principal element in landscapes and seascapes. Buildings, boats and mountains could emerge from atmosphere rather than sit firmly apart from it. His interest extended to the changing modern world, including steam power and new technology. The freedom of his painting provoked criticism, while the writer John Ruskin became a passionate defender.
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