Henri Matisse — The Joy of Life Print
1905-1906
Illustrative frame preview.
Barnes Foundation, PhiladelphiaOriginal work, 1912
← The collection
Henri Matisse — Studio with Goldfish Print
A bowl of goldfish sits within Matisse’s crowded studio, surrounded by paintings, sculpture and patterned surfaces. Strong red and pink passages connect the room while the fish create a small, vivid centre.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A bowl of goldfish sits within Matisse’s crowded studio, surrounded by paintings, sculpture and patterned surfaces. Strong red and pink passages connect the room while the fish create a small, vivid centre.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Henri Matisse
- Artwork
- Henri Matisse — Studio with Goldfish Print
- Date of work
- 1912
- Museum collection
- Barnes Foundation, Philadelphia
About Henri Matisse
French · 1869–1954
Henri Matisse was born in northern France in 1869. Initially trained for a legal career, he turned toward art in his early twenties. Painting became the centre of a long and varied practice that also included drawing, sculpture, printmaking, book illustration and, later, paper cut-outs.
Matisse was a leading figure in Fauvism, the movement associated with intense colour in the early twentieth century. The Green Stripe and The Joy of Life belong to this important period. He continued developing his art over subsequent decades, repeatedly finding new means for closely related visual questions.
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