White Mare
c. 1868
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1916
Gill reduces the Nativity to strong black and white shapes within a timber shelter. Radiating lines, a simple border and the original Latin inscription give the print a direct graphic character.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Gill reduces the Nativity to strong black and white shapes within a timber shelter. Radiating lines, a simple border and the original Latin inscription give the print a direct graphic character.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
British · 1882–1940
Eric Gill (1882–1940) was a British artist. Gill's practice extended across sculpture, stone lettering, type design and wood engraving. His early work in architectural and lettering contexts helped establish a sustained interest in the relationship between a figure, its outline and the space around it. Christmas Gifts: Dawn brings that concern into a small printed image. The engraving uses a restricted range of means, so the placement of each dark mass and pale opening becomes central to its reading.
Christmas Gifts: Dawn: Gill reduces the Nativity to strong black and white shapes within a timber shelter. Radiating lines, a simple border and the original Latin inscription give the print a direct graphic character.
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