A Polish Nobleman
1637
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1606–7
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Caravaggio — The Crucifixion of Saint Andrew Print
Figures gather around Saint Andrew on the cross in a dark, dramatic scene. Caravaggio directs light across faces, hands and fabric, drawing attention to the human gestures within the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Figures gather around Saint Andrew on the cross in a dark, dramatic scene. Caravaggio directs light across faces, hands and fabric, drawing attention to the human gestures within the painting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Caravaggio
- Artwork
- Caravaggio — The Crucifixion of Saint Andrew Print
- Date of work
- 1606–7
- Museum collection
- Cleveland Museum of Art
About Caravaggio
Italian · 1571–1610
Michelangelo Merisi became known as Caravaggio after the Lombard town associated with his family. Born in 1571, he trained in Milan before moving to Rome in 1592. Early pictures of fruit, flowers and half-length figures showed an unusual attention to things seen at close quarters. The patronage of Cardinal Francesco del Monte helped bring commissions and a growing reputation.
Caravaggio worked from posed models and brought ordinary people into ambitious religious paintings. Figures often press towards the front of the picture, while strong contrasts of light and shadow concentrate attention on a moment of action. His approach offered a new emotional intensity, and painters across Europe responded to its directness. The people in these scenes have weight, expression and a compelling sense of presence.
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