At the Edge of the Forest
c. 1872
Art Institute of ChicagoOriginal work, 1871/72
A fine art print of On the Balcony, 1871/72, by Berthe Morisot. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
£33.38
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideA fine art print of On the Balcony, 1871/72, by Berthe Morisot. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
French · 1841–1895
Berthe Morisot grew up in a family that encouraged drawing and painting. She and her sister Edma studied art, copied paintings in the Louvre and exhibited at the Paris Salon. Working with Camille Corot strengthened her interest in outdoor painting. Morisot pursued a professional career at a time when women faced substantial restrictions in artistic training and public life.
Morisot joined the first Impressionist exhibition in 1874 and became one of the group’s most consistent participants. Her circle included Édouard Manet, whose brother Eugène she married. Landscapes and domestic scenes offered material for an art of shifting light and spontaneous-looking marks. Women and children appear as individuals with their own attention, activity and inner lives.
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