Biscuits Lefèvre-Utile
1896
Cleveland Museum of ArtOriginal work, 1901–2
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Alphonse Mucha — Ornament Print
Long stems and pale pink blossoms form a tall ornamental design on cream paper. The complete sheet retains its drawn border, annotations and collection stamp.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Long stems and pale pink blossoms form a tall ornamental design on cream paper. The complete sheet retains its drawn border, annotations and collection stamp.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Alphonse Mucha
- Artwork
- Alphonse Mucha — Ornament Print
- Date of work
- 1901–2
- Museum collection
- Cleveland Museum of Art
About Alphonse Mucha
Czech · 1860–1939
Alphonse Mucha was born in Ivančice in 1860 and became one of the most recognisable artists associated with Art Nouveau. His reputation grew dramatically in Paris after his poster for Sarah Bernhardt’s Gismonda appeared in 1895. The commission placed his decorative language before a wide audience, bringing an illustrator’s attention to line into the public life of the city.
Mucha worked across posters and decorative designs, treating practical objects as opportunities for artistic invention. Documents décoratifs, published in 1902, offered designers examples of motifs and their applications. Flowers and leaves became the material for patterns that could retain the character of a plant while taking on a clear ornamental structure.
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