Pasture Rose (Rosa Carolina Corymbosa)
1817–24
Cleveland Museum of ArtOriginal work, 1817–24
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Pierre-Joseph Redouté — Cabbage Rose (Rosa Centifolia Simplex) Print
Pierre-Joseph Redouté’s botanical watercolour sets pink flowers, buds and carefully described leaves against the warm tone of the original sheet. Cleveland dates the work to 1817–24.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Pierre-Joseph Redouté’s botanical watercolour sets pink flowers, buds and carefully described leaves against the warm tone of the original sheet. Cleveland dates the work to 1817–24.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Pierre-Joseph Redouté
- Artwork
- Pierre-Joseph Redouté — Cabbage Rose (Rosa Centifolia Simplex) Print
- Date of work
- 1817–24
- Museum collection
- Cleveland Museum of Art
About Pierre-Joseph Redouté
Belgian-born, active in France · 1759–1840
Pierre-Joseph Redouté became one of the best-known botanical artists of his era. Born in 1759, he built his career in France, bringing a painter’s sensitivity to the close study of flowers. His work sits at the meeting of art and botany: the defining features of a plant remain clear, while its colour, curves and changing surfaces become the subject of careful attention.
Redouté was associated with the French court and with the gardens of Malmaison. He illustrated important botanical publications, including works connected to Joséphine de Beauharnais. His watercolours of roses, lilies and other flowers made individual plants into complete compositions. A stem provides structure, leaves supply rhythm, and the flower becomes an intricate centre of colour.
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