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Bibliothèque nationale de FranceOriginal work, 1897

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Alphonse Mucha

Alphonse Mucha — Monaco–Monte-Carlo Print

A woman in a flowing pale dress is surrounded by flowers and sweeping decorative curves. Mucha combines the figure with the complete lettering and railway advertisement in this richly patterned poster.

A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.

£29.00

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Paper, size & framing

Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.

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About the artwork

A woman in a flowing pale dress is surrounded by flowers and sweeping decorative curves. Mucha combines the figure with the complete lettering and railway advertisement in this richly patterned poster.

A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.

Explore the original at the museum
Artist
Alphonse Mucha
Artwork
Alphonse Mucha — Monaco–Monte-Carlo Print
Date of work
1897
Museum collection
Bibliothèque nationale de France

About Alphonse Mucha

Czech · 1860–1939

Alphonse Mucha was born in Ivančice in 1860 and became one of the most recognisable artists associated with Art Nouveau. His reputation grew dramatically in Paris after his poster for Sarah Bernhardt’s Gismonda appeared in 1895. The commission placed his decorative language before a wide audience, bringing an illustrator’s attention to line into the public life of the city.

Mucha worked across posters and decorative designs, treating practical objects as opportunities for artistic invention. Documents décoratifs, published in 1902, offered designers examples of motifs and their applications. Flowers and leaves became the material for patterns that could retain the character of a plant while taking on a clear ornamental structure.

Explore Alphonse Mucha prints
Lorenzaccio by Alphonse Mucha, complete composition
Alphonse Mucha — Lorenzaccio Print, 1896–1900

Keep looking.

The whole collection
Monaco–Monte-Carlo by Alphonse Mucha — complete composition

Alphonse Mucha — Monaco–Monte-Carlo Print · Alphonse Mucha