Winslow Homer — The Dinner Horn (Blowing the Horn at Seaside) Print
1870
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, 1873
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Winslow Homer — Dad's Coming! Print
Two figures stand near the shore beneath a wide sky, with a boat and distant water beyond. Homer keeps the coastal moment spare and direct.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Two figures stand near the shore beneath a wide sky, with a boat and distant water beyond. Homer keeps the coastal moment spare and direct.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Winslow Homer
- Artwork
- Winslow Homer — Dad's Coming! Print
- Date of work
- 1873
- Museum collection
- National Gallery of Art, Washington
About Winslow Homer
American · 1836–1910
Winslow Homer developed a career across illustration, drawing, printmaking, watercolour and oil painting. His early illustrations of the American Civil War gave way to pictures of country life and the shore. Across these changing subjects he maintained a direct, searching interest in people and their circumstances, letting a scene’s physical details carry much of its meaning.
Nature became an increasingly powerful presence in Homer’s mature work. The shore offered both everyday human activity and a setting where weather could reveal forces beyond human control. His paintings can balance careful description with broad, decisive shapes. Watercolour gave him another means of investigating light and movement, extending the range of a practice that lasted five decades.
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