Utagawa Hiroshige — Lake Suwa Print
c. 1832–58
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1833
← The collection
Utagawa Hiroshige — Yahagi Bridge at Okazaki Print
A long red bridge crosses blue water toward distant hills and buildings. Hiroshige uses its sweeping curve to lead the eye through the landscape.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A long red bridge crosses blue water toward distant hills and buildings. Hiroshige uses its sweeping curve to lead the eye through the landscape.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Utagawa Hiroshige
- Artwork
- Utagawa Hiroshige — Yahagi Bridge at Okazaki Print
- Date of work
- 1833
- Museum collection
- Cleveland Museum of Art
About Utagawa Hiroshige
Japanese · 1797–1858
Hiroshige lived in Edo, the city now known as Tokyo, during a period when woodblock prints brought pictures to a broad public. Landscape became his great subject. Roads, bridges, rivers and the people moving through them gave him a way to join a recognisable place with a particular moment. His scenes can feel both carefully arranged and unexpectedly immediate.
Hiroshige used the clear contours and coloured areas of woodblock printing to describe atmosphere with remarkable economy. A band of blue can establish the depth of a river. Slanting lines can turn an otherwise ordinary crossing into a sudden shower. The figures remain small, but their gestures help us imagine the conditions around them.
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