Field with Young Trees in the Foreground
c. 1907
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, 1927
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Piet Mondrian — Composition with Red, Yellow, and Blue Print
Black lines divide off-white fields and blocks of red, yellow and blue in Mondrian's composition. A narrow grey original frame surrounds the geometric painting in the museum image.
- Artist
- Piet Mondrian
- Date
- 1927
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Contemporary Collection of The Cleveland Museum of Art
View the museum record. Archive image: CC0.
£39.00
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Black lines divide off-white fields and blocks of red, yellow and blue in Mondrian's composition. A narrow grey original frame surrounds the geometric painting in the museum image.
- Artist
- Piet Mondrian
- Date
- 1927
- Original medium
- oil on canvas
- Museum
- Cleveland Museum of Art
- Museum credit
- Contemporary Collection of The Cleveland Museum of Art
View the museum record. Archive image: CC0.
- Artist
- Piet Mondrian
- Artwork
- Piet Mondrian — Composition with Red, Yellow, and Blue Print
- Date of work
- 1927
- Museum collection
- Cleveland Museum of Art
About Piet Mondrian
Dutch · 1872–1944
Piet Mondrian began by painting landscapes in the Netherlands. His route to abstraction was gradual, passing through increasingly distilled forms rather than arriving at a ready-made formula. Influences from Symbolism and Post-Impressionism encouraged him to seek a deeper structure within what he saw. Trees, buildings and landscape became starting points for an investigation of rhythm and balance.
A move to Paris in 1911 brought Mondrian into close contact with Cubism. He pushed its experiments toward a painting no longer dependent on representing visible things. In his mature work, horizontal and vertical lines, primary colours and areas of white became a complete vocabulary. Their relationships mattered more than the identity of any subject outside the picture.
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