Romaine Lacaux
1864
Illustrative frame preview.
Musée d’Orsay, ParisOriginal work, 1892
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Pierre-Auguste Renoir — Young Girls at the Piano Print
Two girls concentrate on an open score at the piano, one seated and the other leaning beside her. Renoir gathers their pale dresses, warm hair and surrounding furnishings into a softly coloured interior.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Two girls concentrate on an open score at the piano, one seated and the other leaning beside her. Renoir gathers their pale dresses, warm hair and surrounding furnishings into a softly coloured interior.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Pierre-Auguste Renoir
- Artwork
- Pierre-Auguste Renoir — Young Girls at the Piano Print
- Date of work
- 1892
- Museum collection
- Musée d’Orsay, Paris
About Pierre-Auguste Renoir
French · 1841–1919
Pierre-Auguste Renoir was born in Limoges and moved with his family to Paris as a child. The city became the setting for his development as an artist. Alongside painters such as Monet and Degas, he helped build an alternative to the official exhibition system. In 1874 he participated in the first Impressionist exhibition, placing contemporary experience at the centre of painting.
Renoir’s landscapes and figure paintings are distinguished by soft edges, vivid colour and a warm response to the people he depicts. Rather than isolating a figure from its surroundings, he allows light and colour to pass between them. His work ranges from intimate studies to social scenes, finding pictorial richness in a face, a dress, a garden or a shared afternoon.
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