Paul Gauguin — The Large Tree Print
1891
Illustrative frame preview.
Museum of Fine Arts, BostonOriginal work, 1897–98
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Paul Gauguin — Where Do We Come From? What Are We? Where Are We Going? Print
Gauguin arranges figures, animals and foliage across a broad Tahitian landscape, using saturated colour to connect separate moments within one panorama. The long composition invites the eye to travel from group to group. This edition reproduces the complete supplied painting, with its full horizontal setting intact.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Gauguin arranges figures, animals and foliage across a broad Tahitian landscape, using saturated colour to connect separate moments within one panorama. The long composition invites the eye to travel from group to group. This edition reproduces the complete supplied painting, with its full horizontal setting intact.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Gauguin
- Artwork
- Paul Gauguin — Where Do We Come From? What Are We? Where Are We Going? Print
- Date of work
- 1897–98
- Museum collection
- Museum of Fine Arts, Boston
About Paul Gauguin
French · 1848–1903
Paul Gauguin was born in Paris and spent much of his early childhood in Peru. After work in the merchant marine and navy, he became a stockbroker in Paris. Painting began as a pursuit alongside that career. He collected Impressionist art and worked with artists including Pissarro and Cézanne, before deciding to paint full-time in 1883.
Gauguin exhibited with the Impressionists but sought a language less dependent on recording light as it appeared. Strong colour, simplified forms and remembered or imagined subjects became central to his work. He painted, made prints, carved and worked in ceramics. His self-portraits and writing reveal an artist actively constructing and questioning his own public identity.
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