The Call
1902
Illustrative frame preview.
The Metropolitan Museum of Art, New YorkOriginal work, 1899
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Paul Gauguin — Two Tahitian Women Print
Two women stand together against a dark blue and green background, one holding a tray of bright fruit. Gauguin balances warm skin, pink flowers and strong areas of colour within the intimate double portrait.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Two women stand together against a dark blue and green background, one holding a tray of bright fruit. Gauguin balances warm skin, pink flowers and strong areas of colour within the intimate double portrait.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Gauguin
- Artwork
- Paul Gauguin — Two Tahitian Women Print
- Date of work
- 1899
- Museum collection
- The Metropolitan Museum of Art, New York
About Paul Gauguin
French · 1848–1903
Paul Gauguin was born in Paris and spent much of his early childhood in Peru. After work in the merchant marine and navy, he became a stockbroker in Paris. Painting began as a pursuit alongside that career. He collected Impressionist art and worked with artists including Pissarro and Cézanne, before deciding to paint full-time in 1883.
Gauguin exhibited with the Impressionists but sought a language less dependent on recording light as it appeared. Strong colour, simplified forms and remembered or imagined subjects became central to his work. He painted, made prints, carved and worked in ceramics. His self-portraits and writing reveal an artist actively constructing and questioning his own public identity.
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