Fatata te Miti (By the Sea)
1892
National Gallery of Art, WashingtonOriginal work, 1897
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Paul Gauguin — The Bathers Print
Gauguin’s 1897 bathers occupy a landscape organised through broad colour and simplified forms.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Gauguin’s 1897 bathers occupy a landscape organised through broad colour and simplified forms.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Paul Gauguin
- Artwork
- Paul Gauguin — The Bathers Print
- Date of work
- 1897
- Museum collection
- National Gallery of Art, Washington
About Paul Gauguin
French · 1848–1903
Paul Gauguin was born in Paris and spent much of his early childhood in Peru. After work in the merchant marine and navy, he became a stockbroker in Paris. Painting began as a pursuit alongside that career. He collected Impressionist art and worked with artists including Pissarro and Cézanne, before deciding to paint full-time in 1883.
Gauguin exhibited with the Impressionists but sought a language less dependent on recording light as it appeared. Strong colour, simplified forms and remembered or imagined subjects became central to his work. He painted, made prints, carved and worked in ceramics. His self-portraits and writing reveal an artist actively constructing and questioning his own public identity.
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