Mary Cassatt — Child in a Straw Hat Print
c. 1886
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, 1891-1892
← The collection
Mary Cassatt — Woman with a Red Zinnia (Revery) Print
A seated woman holds a red flower against her pale striped dress. Cassatt pairs her thoughtful pose with restrained green and violet colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A seated woman holds a red flower against her pale striped dress. Cassatt pairs her thoughtful pose with restrained green and violet colour.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- Mary Cassatt
- Artwork
- Mary Cassatt — Woman with a Red Zinnia (Revery) Print
- Date of work
- 1891-1892
- Museum collection
- National Gallery of Art, Washington
About Mary Cassatt
American · 1844–1926
Mary Cassatt was born and educated in Pennsylvania and spent most of her artistic career in Paris. She began exhibiting at the Salon in 1868, then joined the independent Impressionist group. She was its only American participant. Her work drew on European painting and Japanese prints while retaining a distinctive interest in the lives, relationships and attention of women.
Cassatt’s paintings are celebrated for intimate scenes of everyday experience, but printmaking was equally important to her invention. Working alongside Degas encouraged experiments in etching and other techniques. She embraced the medium’s demanding practical work, developing innovative colour prints. The clarity of Japanese print design helped inform her use of pattern, contour and unexpected compositional spaces.
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