The Loge
c. 1878-1880
Art Institute of ChicagoOriginal work, 1890–91
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Mary Cassatt — In the Omnibus Print
A fine art print of In the Omnibus, 1890–91, by Mary Cassatt. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
£33.37
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
A fine art print of In the Omnibus, 1890–91, by Mary Cassatt. The original is in the collection of the Art Institute of Chicago.
Printed on 200 gsm uncoated paper and supplied in a ready-to-hang frame.
- Artist
- Mary Cassatt
- Artwork
- Mary Cassatt — In the Omnibus Print
- Date of work
- 1890–91
- Museum collection
- Art Institute of Chicago
About Mary Cassatt
American · 1844–1926
Mary Cassatt was born and educated in Pennsylvania and spent most of her artistic career in Paris. She began exhibiting at the Salon in 1868, then joined the independent Impressionist group. She was its only American participant. Her work drew on European painting and Japanese prints while retaining a distinctive interest in the lives, relationships and attention of women.
Cassatt’s paintings are celebrated for intimate scenes of everyday experience, but printmaking was equally important to her invention. Working alongside Degas encouraged experiments in etching and other techniques. She embraced the medium’s demanding practical work, developing innovative colour prints. The clarity of Japanese print design helped inform her use of pattern, contour and unexpected compositional spaces.
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