Rotterdam Ferry-Boat
1833
Illustrative frame preview.
National Gallery of Art, WashingtonOriginal work, c. 1843
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Joseph Mallord William Turner — The Evening of the Deluge Print
Golden light breaks through a turbulent, flooded landscape. Turner dissolves the forms of water, sky and figures into swirling colour, giving the scene a powerful sense of movement.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Golden light breaks through a turbulent, flooded landscape. Turner dissolves the forms of water, sky and figures into swirling colour, giving the scene a powerful sense of movement.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artwork
- Joseph Mallord William Turner — The Evening of the Deluge Print
- Date of work
- c. 1843
- Museum collection
- National Gallery of Art, Washington
About Joseph Mallord William Turner
British · 1775–1851
Joseph Mallord William Turner was born near Covent Garden in London. He entered the Royal Academy Schools in 1789 and began exhibiting watercolours the following year. His early work grew from topographical drawing, while Dutch seascapes and the classical landscapes of Claude helped expand his ambitions. Watercolour, oil painting and engraving all became part of his artistic language.
Turner increasingly made brilliant colour a principal element in landscapes and seascapes. Buildings, boats and mountains could emerge from atmosphere rather than sit firmly apart from it. His interest extended to the changing modern world, including steam power and new technology. The freedom of his painting provoked criticism, while the writer John Ruskin became a passionate defender.
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