Poppy Fields near Argenteuil, 1875
1875
Illustrative frame preview.
Cleveland Museum of ArtOriginal work, c. 1680–1718
Figures cross a frozen landscape beneath a broad, clouded sky, with distant buildings, finely drawn trees and small activities of winter life. The Cleveland Museum of Art catalogues this painting under Jan Griffier, while noting that the attribution is debated.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Figures cross a frozen landscape beneath a broad, clouded sky, with distant buildings, finely drawn trees and small activities of winter life. The Cleveland Museum of Art catalogues this painting under Jan Griffier, while noting that the attribution is debated.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
Dutch · 1648–1718
Jan Griffier (1648–1718) was a Dutch artist. Griffier was a Dutch landscape painter who worked in England as well as the Netherlands. Records connect him with London's Painter-Stainers' Company in 1677. Landscapes and distant views form an important part of his surviving reputation. For the selected Winter Landscape, however, the museum's discussion of attribution must remain visible: the picture offers evidence for looking at its own arrangement and detail, while the precise connection with Griffier's hand remains a matter of scholarly interpretation.
Winter Landscape: Figures cross a frozen landscape beneath a broad, clouded sky. Griffier places distant buildings and finely drawn trees around the small activities of winter life.
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