The Burning of the Houses of Lords and Commons, 16 October 1834
1835
Illustrative frame preview.
Art Institute of ChicagoOriginal work, 1836–37
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J. M. W. Turner — Valley of Aosta — Snowstorm, Avalanche and Thunderstorm Print
A storm sweeps across the mountain valley while small travellers occupy the foreground. Turner’s swirling light and shadow make the landscape feel immense and unstable.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£29.00
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
A storm sweeps across the mountain valley while small travellers occupy the foreground. Turner’s swirling light and shadow make the landscape feel immense and unstable.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- J. M. W. Turner
- Artwork
- J. M. W. Turner — Valley of Aosta — Snowstorm, Avalanche and Thunderstorm Print
- Date of work
- 1836–37
- Museum collection
- Art Institute of Chicago
About J. M. W. Turner
British · 1775–1851
Joseph Mallord William Turner was born near Covent Garden in London. He entered the Royal Academy Schools in 1789 and began exhibiting watercolours the following year. His early work grew from topographical drawing, while Dutch seascapes and the classical landscapes of Claude helped expand his ambitions. Watercolour, oil painting and engraving all became part of his artistic language.
Turner increasingly made brilliant colour a principal element in landscapes and seascapes. Buildings, boats and mountains could emerge from atmosphere rather than sit firmly apart from it. His interest extended to the changing modern world, including steam power and new technology. The freedom of his painting provoked criticism, while the writer John Ruskin became a passionate defender.
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