The Burning of the Houses of Lords and Commons, 16 October 1834
1835
Illustrative frame preview.
J. Paul Getty Museum, Los AngelesOriginal work, 1839
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J. M. W. Turner — Modern Rome — Campo Vaccino Print
Rome unfolds through a luminous haze of buildings, ruins and distant hills. Turner brings small foreground figures into a broad view where warm light softens the city’s many architectural layers.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
$29.00
Delivery to the contiguous US and Washington, DC.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
About the artwork
Rome unfolds through a luminous haze of buildings, ruins and distant hills. Turner brings small foreground figures into a broad view where warm light softens the city’s many architectural layers.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- J. M. W. Turner
- Artwork
- J. M. W. Turner — Modern Rome — Campo Vaccino Print
- Date of work
- 1839
- Museum collection
- J. Paul Getty Museum, Los Angeles
About J. M. W. Turner
British · 1775–1851
Joseph Mallord William Turner was born near Covent Garden in London. He entered the Royal Academy Schools in 1789 and began exhibiting watercolours the following year. His early work grew from topographical drawing, while Dutch seascapes and the classical landscapes of Claude helped expand his ambitions. Watercolour, oil painting and engraving all became part of his artistic language.
Turner increasingly made brilliant colour a principal element in landscapes and seascapes. Buildings, boats and mountains could emerge from atmosphere rather than sit firmly apart from it. His interest extended to the changing modern world, including steam power and new technology. The freedom of his painting provoked criticism, while the writer John Ruskin became a passionate defender.
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