Keelmen Heaving in Coals by Moonlight
1835
Cleveland Museum of ArtOriginal work, 1845
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J. M. W. Turner — Flüelen, from the Lake of Lucerne Print
Turner’s 1845 watercolour looks towards Flüelen from Lake Lucerne, using washes, gouache and scratched highlights to describe the Alpine setting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
£19.50
From museum archives. No recolouring, retouching or AI enhancement.
UK delivery. Unframed £4.99, free from £50. Wood-frame delivery included.
Paper, size & framing
Fine-art print on 200 gsm enhanced matte paper. Measurements are the paper dimensions, including the white border. Framing adds to the overall dimensions. The artwork keeps its approved composition within those margins. White, natural and dark wood frames are ready to hang with plexiglass.
Our print guideAbout the artwork
Turner’s 1845 watercolour looks towards Flüelen from Lake Lucerne, using washes, gouache and scratched highlights to describe the Alpine setting.
A fine-art giclée reproduction on 200 gsm uncoated paper. The complete composition is presented with a white paper border. Choose from the available sizes and unframed or framed finishes.
- Artist
- J. M. W. Turner
- Artwork
- J. M. W. Turner — Flüelen, from the Lake of Lucerne Print
- Date of work
- 1845
- Museum collection
- Cleveland Museum of Art
About J. M. W. Turner
British · 1775–1851
Joseph Mallord William Turner was born near Covent Garden in London. He entered the Royal Academy Schools in 1789 and began exhibiting watercolours the following year. His early work grew from topographical drawing, while Dutch seascapes and the classical landscapes of Claude helped expand his ambitions. Watercolour, oil painting and engraving all became part of his artistic language.
Turner increasingly made brilliant colour a principal element in landscapes and seascapes. Buildings, boats and mountains could emerge from atmosphere rather than sit firmly apart from it. His interest extended to the changing modern world, including steam power and new technology. The freedom of his painting provoked criticism, while the writer John Ruskin became a passionate defender.
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